《末日幸存》剧情简介
在一场灾难中乔纳森失去了自己的妻子和孩子,并且孤身一人流落到一个陌生的小镇,面对恐怖分子的围攻,乔纳森逃到一间教堂里,在教堂里认识了祖孙三代,琼斯、戴文和雪莉。几个人达成共识一起逃亡,不料还没离开教堂,就被闯入的恐怖分子袭击,祖父琼斯被杀,乔纳森和戴文奋力击杀了恐怖分子,带着雪莉离开教堂。在逃亡的路上,乔纳森和戴文救下了被恐怖分子挟持的两名人质,于是五个人抱团一起行动。但在荒无人烟的小镇上最缺的就是粮食,乔纳森和戴文冒险跑回教堂,拿回了之前剩下的罐头。五个人开着从恐怖分子处抢来的卡车继续前行,走到一半发现汽油不够了,乔纳森和戴文寻找汽油的时候卡车被恐怖分子袭击。急忙赶回来救援的戴文和一名人质被杀害,戴文将雪莉托付给乔纳森和另一位人质,三人收起悲痛,驾着车继续行驶在逃亡的路上。
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1975 动作简介:Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”