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当从曼哈顿搬到高尚住宅区斯戴佛之后，乔安娜（妮可•基德曼饰）与丈夫（马修•布罗德里克饰）都准备好了新生活的开始。乔安娜本想打好与邻居之间的关系，可是一众邻居太太的性格都将近完美，让乔安娜感到她们都无法靠近。这群有钱的太太中只有一名叫芭比的太太例外，她是乔安娜眼中的正常人，她俩也成为了好友。\r\n其他太太们每天都忙着照顾自己的丈夫，对丈夫言听计从。乔安娜与芭比都感到十分好奇，为何邻居太太们似乎没有自己的脾气与喜好。\r\n于是她们决定一查究竟，调查结果让她们惊讶不已，有钱的男人竟然把自己的太太变成了机器人，以求他们的妻子都千依百顺。这些一半人类一半机器的太太们背后有着“公开的秘密”，这样的黑手，也逐渐伸向乔安娜与芭比，她们将如何应对呢？
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1975 动作简介：Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”